日     期：2014.07.18 (五)

地     點：台北當代藝術館1F活動大廳

時    間：19:00-21:00  （18:30開始簽到進場）

主持人-吳瑪悧（國立高雄師範大學跨領域藝術研究所 副教授兼所長）

與談人-王墨林（藝評家） 、陳界仁（藝術家）  

講座綱要：

國民黨自1949年敗退台灣之後，繼之而起的白色恐怖與思想管制，連帶地影響日常身體的自主性，這種規馴與管制甚至在公共場域中的身體也深受牽連，八零年代已降，開始有少數藝術家不滿官方對身體的管制，在街頭或官方美術館展開了一些具爭議性的行動。1982年張建富發表了《空氣呼吸法》，隨後由陳界仁等人推出的《機能喪失第三號》（1983）及《試爆子宮》（1985~1986）是在街頭舉辦具有劇場性質的行為作品，1984年張建富、陳界仁、李銘盛及郭少宗等人發起了《九二八前衛藝術發表會》可算是早期行為藝術的集體嘗試，1985年林鉅於台北市「嘉仁畫室」發表的《林鉅純繪畫實驗閉關九十天》，意圖以封閉自身感官從事繪畫的開發，1986年「洛河展意」也推出了數場街頭行為，李銘盛更是其中發表力最旺盛的行為藝術家，自80年代初即發表了為數眾多的行為作品；而由台北市立美術館策動的《錄影•裝置•表演藝術》（1986/4/18~5/4），則是台灣第一次大規模由官方主辦的相關藝術展出，之後於1987年再次舉辦《實驗藝術-行為與空間》（1987/4/11~6/21）展，雖然這類展演在當時來說並不普遍，但卻可視為邁入90年代行為藝術的先聲。本次邀請當年重要的創作者參與對談，試圖透過回顧的方式重新思考身體如何再次解嚴。

Liberating the Restricted Body

The era of White Terror and thought control that followed the KMT’s retreat to Taiwan in 1949 also impacted the autonomy of the quotidian body. These regulations and controls had an effect on the body in the public sphere as well. Dissatisfied with government controls over the individual body, a small group of artists occupied the streets and official museums throughout the 1980s, where they launched a number of controversial actions. Beginning with CHANG Chien-Fu’s Breathing Techniques in 1982, followed by the narrative street theatre behavioral works, Malfunction No. 3 (1983) and Bombing the Womb (1985-1986), by CHEN Chieh-Jen et al. The 928 Avant-Garde Art Exposition, which was jointly established in 1984 by CHANG Chien-Fu, CHEN Chieh-Jen, LEE Ming-Sheng and KUO Shao-Tsung, could be considered a collective attempt at performance art. In 1985, LIN Ju presented the Lin Ju 90-Day Shut-In Pure Painting Experiment at Taipei’s Jiajen Art Studio, where he attempted to developing paintings by shutting down the body’s senses. Several street actions were launched by the River-lo Concept Expression of 1986. Among these behavioral artists, LEE Ming-Sheng, who has presented a number of behavioral works since the early 1980s, was the most prolific. The Video, Installation, Performance Art exhibition (April 18 to May 4, 1986) curated by the Taipei Fine Arts Museum, was the first officially organized large-scale art exhibition of note, followed by Experimental Art-Action Space (April 11 to June 21, 1987) in 1987. Although these exhibitions were uncommon at the time, they could be regarded as the harbingers of 90s era behavioral art. Renowned creators from that era have been invited to participate in this dialog in a re-contemplation of how the body might be derestricted once more.

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