【內分泌影展】

Expanded Experimental Animation Festival III ─ Endocrine

 

展覽時間 Date：2016/05/28-2016/07/03

展覽地點 Venue：台北當代藝術館一樓活動大廳 Activity Hall of MOCA, Taipei

門票 Admission：免費 Free

策展人 Curator：張喜展 ZhangXu Zhan、沉香問 Chen Hsiang-Wen

 

參展藝術家 Artists：

李亦凡 Li Yi-Fan、鍾承旭 Cheng Hsu-Chung、黃采逸 Huang Tsai-Yi、

楊竣傑 Young Gym-Jack、張博傑 Chang Po Chieh、張徐展 Zhang Xu Zhan

 

貼心小叮嚀 Note：

＊部分影片內容因涉及血腥、裸露畫面，僅於當代館活動大廳播映，18歲以下需有成人陪同觀賞。

Parts of the films include violent content and nudity, and will only be screened at the Activity Hall of MOCA, Taipei. Viewers under 18 must be accompanied by adults.

 

＊因展覽相關活動，本影展於下列日期13:00-17:00暫停播放。

Due to other exhibition events, the festival will be suspended on the following dates: 6/11(sat.), 6/12(Sun.), 6/17(Fri.), 6/18(Sat.), 6/19(Sun.), 6/25(Sat.), 6/26(Sun)

 

 

【超越實驗】系列影展為實驗動畫與當代影像藝術之間關係的策展研究，自2014年開始每年針對不同的主題進行策畫。【超越實驗I】展出具備實驗動畫的脈絡與當代藝術的影像；【超越實驗II─貞子的復仇】探討關於動畫影像跳脫出介面框架後的造形藝術、錄像裝置、擴延影像等當代藝術創作；而本次展出的【超越實驗III─內分泌影展】由張徐展及陳湘汶共同策劃，再度聚焦於影像內容，集結六位藝術家具備「內分泌」影像特質的動畫／錄像作品，而所謂「內分泌」的影像特質帶有思春時的萌芽、嘲弄的狂想、聖潔性的事物或隱晦的性想像，藝術家們藉由其作品童趣的影像表現轉化為赤裸的議題寓意。

 

Expanded Experimental Animation Festival is a curatorial study on the relationship between experimental animation and contemporary video art. Since 2014, the festival has focused on different curatorial themes. Expanded Experimental Animation Festival I showcased videos that illustrated the context of experimental animation and contemporary art. Experimental Animation Festival II ─ Sadako's Revenge explored the subjects of plastic arts, video installation, and expanded video after animation was released from its original interface and framework. Expanded Experimental Animation Festival III ─ Endocrine is curated by ZhangXu Zhan and Chen Hsiang-Wen, and concentrates on the video content. It showcases six artists' animation and video works that display the characteristics of "endocrine," which embody the beginning of puberty, the sarcastic fantasy, the things that are holy and pure, or the ambiguous sexual imagination. Through their works, the artists tackle these explicit issues with images of child-like innocence. 

 

 

李亦凡作品〈海邊散步〉模仿早期B級片的電影模式，創造出一部既色情又暴力的偶動畫片；鐘承旭的作品〈Je te hais〉敘述戀人之間微妙的關係，必須藉由回憶與自我對話進行辯證，方能歸納出真誠的自我；黃采逸作品〈宛如小姐，我無法睡著〉透過主角宛如小姐在浴室中發生的奇幻經歷，暗喻現代人於高壓環境中被現實無止境糾纏的困境；楊竣傑的〈報廢日記〉試圖將感受事物的各種狀態，在潛意識中創造出另一個自己或環境；張博傑作品〈地圖詩歌臺北系列／帥哥、正妹〉使用Google地圖以臺北市為基地，搜尋關鍵字「帥哥」、「正妹」，利用專業搜尋的錯誤資訊作為創作文本，探討自身與城市的關係；張徐展作品〈影像日誌1&2〉透過動畫描繪真實生活的事件或人、事、物，挪作至動畫之中，並杜撰作為影像內容，將其真實事件以動態繪畫的方式記錄奇想。

 

Li Yi-Fan's Walking in the Beach imitates early B-movies and creates a coarse, violent and pornographic puppet animation. Chung Cheng-Hsu's Je te hais depicts the subtle relationship between lovers, conducting a dialectic dialogue with the self through memory to find the sincere and honest self. Through the protagonist's fantastic experience in a bathroom, Huang Tsai-Yi's Miss As If, I Can't Sleep beckons at the dilemma of modern people, who are endlessly haunted in an environment of incredible pressure. Young Gym-Jack's Cat Cha-Cha perceives different states of things and creates another self or environment with these impressions in the subconscious. In Map Poetry/Handsome Boy and Map Poetry/Pretty Girl, Chang Po-Chieh uses Taipei City as a base and searches "handsome boy" and "pretty girl" on Google Map. The artist creates a text based on the false information found on the search engine, and explores the relationship between the self and the city. ZhangXu Zhan's Animation Daily: 1&2 portrays real events, people, and things, which are appropriated and fabricated into the video, documenting the artist's fantasies with animation of real events.