地區
發佈單位(人):
小漁
台中市西區大墩路633號
活動主旨:「瓊極其妙 • 娟流不息」-鄭瓊娟創作個展 add_this [ 加入我的訊息追蹤清單 ]
活動地址:高雄市三民區明哲路37號2樓
活動日期:2012年09月15日~2012年10月27日
主題類別:展覽訊息
推薦活動:
活動內容:

「瓊極其妙 • 娟流不息」-鄭瓊娟創作個展 (五月畫會創始員)

開 幕 會:2012年9月15日(六)下午2-5時(沐之藝廊
舉行)
展覽日期:2012年9月15日-10月27日
展覽地點:紅野畫廊、沐之藝廊

定時導覽:週三、週六下午2點

花甲至耄耋 煙花迸放的美麗熱忱 
謳歌生命與靈魂的鄭瓊娟 / 黎巧倩

畫家鄭瓊娟,1931年出生於人稱風城的新竹。熱愛繪畫
,師大畢業後成為「五月畫會」之創始一員。正值大展藝術長才的妙齡,她卻因緣際會遠嫁日本。潛心殆至兒女長成,年近六十之際又重拾畫筆之樂,近年為幫助弱勢慷慨捐獻畫作。即使旅居海外多年,鄭瓊娟總是台灣寶島難以忽視的一位女性藝術家。或許,正因深愛這片家園、珍惜生命中的吉光片羽,鄭瓊娟不畏身體偶有病痛,以純粹的熱情與極高的意志力,揮灑出天、地、人永恆的生命與美麗。

人的一生中,不同的階段有不同「熱忱」之追求。年輕時著
眼於外在;中年時重視事業,而年華老去之時則尋求內心的滿足與平靜。八零年代末,鄭瓊娟年屆花甲,仍難忘年少時創作的快樂。創作靈感是源自「一次的選擇、一次的追求、一次的對話、一次的探索、一次的滿足、一次的感動…」;創作風格則介於抽象與具像之間,不喜為作品打草稿的她,認為作品的構圖與主體應隨「心」而至。這股無以名狀、形而上的力量是宗教也好;是藝術熱忱也罷,無疑是鄭瓊娟眞摯直率地面對內心自我與創作的態度。每個生命都有其尊貴與獨特的美麗,人類與草木皆有情;宇宙孕育了萬物眾生,如何在天、地與人之間保持微妙的和諧關係是藝術家終其一生之探索與進而提醒大眾的天職。

細細欣賞鄭瓊娟的油畫,即發現她作品中的色彩相當簡約,
多半以紅、黃、黑、白為主。構圖上卻有著強烈的流動性,像疾風、流雲、或江河,有些則像煙花火,如作品「慶」中,被停格的星火紀錄了綻放的轉瞬。作品「愁」中表情刻劃不甚清楚的女性,只能從背景中如絮般飛舞的雪花臆測她此刻的心境。作品「無題IV」中猶如鳳凰浴火重生的過程,則是藝術家凝視父親的醫學儀器中得到的綺思。作品「慕」中,兩朵花兒中巧妙地用一葉花瓣彼此相繫,令人聯想到愛情或友情。作品「族」中,植物種子般的構圖好似陰陽相生,萌發出無限的生命力!

鄭瓊娟的作品看似充滿個性與張力,但其內在是剛中帶柔的
筆觸並蘊含無盡的東方哲思。一位長年旅居,如此愛鄉惜物、歌詠生命的女性藝術家不禁令人由衷敬佩。她的創作生命也如同台語民謠的歌詞「阮若打開心內的門,就會看見故鄉的田園…阮若打開心內的窗,就會看見青春的美夢…」。


Absolutely Creative, Art in An Endless Stream- The Solo Exhibition of Chung-Chuan Cheng (Founder of "Fifth Moon Group")

Opening Reception: 2012/9/15 2-5pm (Moons Art Gallery)
Dates: 2012/9/15~10/27
Venues: Powen Gallery & Moons Art Gallery
Tour Guide: Wednesdays & Saturdays 2pm 

Great Passion Comes with Age, Chung-Chuan Cheng 's Art Song After 60 / Viviane Lee

Chung-Chuan Cheng (b. 1931), a female Taiwanese artist, was born in Hsin-Chu City, the so-called “Windy City”. She has had a great passion for art since her teens. After finishing the B.F.A. study at National Taiwan Normal University, she participated in the “Fifth Moon Group” set up with several alumni artists in 1957. However, in the same year, the artist stopped to show her considerate talent as she chose to be married and moved to Japan. While being involved in being a housewife, she read lots of classics and religious books in her free time. Due to an inextinguishable passion for art in mind, the artist was intent on painting again in her sixties. Thus, she has exhibited her works in both Japan and Taiwan in recent decades. The artist enjoys painting and life so much that her sufferings from the minor ailments can be relieved. Last year, the kind-hearted artist donated many works to charity at her hometown. Chung-Chuan Cheng is such a remarkable and honorable artist in Taiwan. 

People have different pursuits at different stages of life. The youngsters put emphasis on their appearances; the middle-aged concentrate on their careers; the elderly look for the contentment and peace of the mind. By the end of 1980s, Chung-Chuan Cheng was near sixty but never dismissed the wonderful memories of painting. She takes for granted that her art inspirations come from “a choice, a pursuit, a dialogue, an exploration, a satisfaction, or an impressive experience….” Her works can be defined as “between abstract and realistic” expressions. The artist is not fond of making an outline for the paintings. The reason is that she believes that the composition and subject for a work would be made by one’s “inner self”. This enthusiastic, mysterious, or even religious “inner power” is how she sincerely faces her inner part and creations. In this “Mother Universe”, every life has beauty as well as dignity, so most artists devote their whole life to seek the answers for humans to be in harmony with the environment and other beings. 

As appreciating Chung-Chuan Cheng’s paintings, it is obvious for viewers to discover that she adopts only a few colors for each work, such as red, yellow, black and white. Besides, her fluid strokes are like strong wind, floating clouds, flowing rivers, or even fireworks. In the work “Celebration”, the image is similar to a fantastic moment that fireworks set off in the night sky. In the painting “Gloomy”, the female figure has a blurred face, but viewers can guess her emotions upon the flying snow on the background. The artist is interested in her father’s medical instruments and then works “Untitled IV”, the image looks like blood veins or a phoenix’ rebirth. In her “adoring”, the image that two plants seem to “shake hands” by a leaf, implies love or friendship. Viewers can also see life-force from the painting “Tribe”, in which the seed-like images can be associated with the cycle of Yin-Yang. 

Chung-Chuan Cheng’s paintings are full of self-character and inner-strength, and viewers will understand her large but delicate strokes contain infinite Eastern philosophy. She is such an admirable artist, has a wave of nostalgia and loves art with life. Her art passions are close to the lyrics of a Taiwanese folk song, “If I open the door of mind, I can see my sweet hometown; if I open the window of mind, I can see my young memories…”

泱 112x162cm 油彩畫布 2007
Vast 112x162cm Oil on canvas 2007

手機導航:
高雄市三民區明哲路37號2樓