在我的創作常訴諸一種恆常的理念或情感真理，有所感地去訴說現今社會型態中極欲傳達的意念，實踐藝術創作與人文關懷的「情感」表達。創作透過結構、造形、色彩、符號、煤材的運用，在表現形式上借重往昔工作與生活經驗的隨想，提出真實與虛構混淆的圖象，讓畫面與現實世界有所關聯；畫作本身擁有可辨識的主題，讓人產生感覺與聯想，在觀賞者心中建構出自我意想的世界，期望藝術創作能夠延伸省思、深化創作的意涵。

藝術史啟示我們：「世界上真正的偉大藝術作品都是人生的寫照」。本創作「脫形‧入情」主題為了涵蘊「情感」內化的元素，過程中闡述的思想脈絡則濃縮範圍專精於職場與生活的思維體現。創作語彙與圖像則往往假借日常生活物品替代象徵性的意涵，形成抽象化概念來表達「情感」的抒發。如「椅子」象徵「權位」或「位置」，「權杖」象徵「權力」或「執行力」，「櫻桃」象徵「誘惑」或「生活目標」…等。此類藉著具體形象的聯想關係，初始運用狀態，個性化的符號含意並不明確，但是在畫家一再的重複使用下，則可產生了某種獨特的意義，或反映了畫家某種特殊的情感，更顯示出形象語言的概念化趨勢。

創作手法融合寫實與抽象，突破傳統寫實的畫法加入抽象的元素，色彩鮮明活潑，線條靈活而不受約束，自我要求需有獨特自我創作風格;同時能夠混雜著新鮮、驚奇與神秘的奇特感成份來展示，達到作者最期盼的藝術作品境界：「讓作品滿溢著清晰可見的生命力」。創作最終目標在於『透過生活的美學的思考，實踐藝術創作與人文關懷的情感表達』。

「脫形‧入情」2011翁鴻盛繪畫創作展

"Feeling beyond Form"

The Creative Exhibition of Steven (Hong-Sheng), Uong

圖1翁鴻盛/Steven, Uong〈魚躍龍門/Leap to the Summit of Success〉，2011年，油彩、畫布/Oil on  Canvas，53×45.5 cm(10F)。

It’s desired to resort to one kind of unchangeable idea or emotion in my work, claim to convey ideas in current society, and practice "Feelings" expression of artistic creations and humanities. Through the usage of structure, shape, color, symbols, media...and so on, the creations of my painting rely on the caprices of the past work and life experience. Bringing up the images mixed with reality and fiction associates the paintings with the real world. As painting itself has a recognizable theme, people are given some kind of feeling and association, and so are able to construct a fantasy world in the heart. It is hoped that the presentation of the artistic work could be extended to some sort of reflection and deepen the meaning of the creation.

Art history tells us: "The real great art works of the word are always life portrayal." To imply the element of "Feeling", into the theme "Feeling beyond Form", I have to confine my mind to the range of the workplace and life thought within the process outlined. The creative vocabulary and images often make use of the alternative symbolic meanings of daily life objects, which form abstract concepts to convey the expression of the "Feelings."  For example, "chair" symbolizes "power position" or "position"; "scepter" symbolizes "power" or "execution"; "cherry" symbolizes "temptation" or "the goal of life " etc.

Making use of the concrete image in association with the abstract idea could not express its unique symbol clearly at the initial state of usage. But after the repeated usage by the artist, it not only generates some kind of significant meaning but also reflects a particular emotion from the artist and it can even show the conceptual tendency of image language.

The artist combines creative techniques with realism and abstract, and also breaks the traditional realistic method by adding abstract elements. By using vibrant and lively colors, flexible and unconstrained lines, the artist demands unique self-creation by himself. Furthermore, mixes fresh, surprising, and mysterious ingredients to show that it will ultimately reach to the most anticipated state of art for the author: "Let the works overflow with visible vitality."  The ultimate goal is "Through life thinking of aesthetic, practice the emotional expression of art creations and humanities."